标题:1. Bossa Nova. Harmony and rhythm
副标题:Chapter 2 "Bossa Nova"
艺人:Nelson Faria
作词:Guitar College
作曲:Nelson Faria
制谱人:Groundhog
附注:
General Outline:
Very influenced by jazz melodies and harmonies, the
bossa nova is played like a "soft" samba, with a
simplified rhythmic section, and more elaborated
harmonies.
From the south east of Brasil, more specifically Rio de
Janeiro, the bossa nova reached its apogee in the late
fifties and is more well known internationally than most
forms of Brasilian music.
Antonio Carlos Jobim (as composer) and Joao Gilberto
(primarily as a singer and guitarist) are the most
important artists in bossa nova. Their first important
recording was "Chega de Saudade" (March 1959).
Musical Characteristics:
Certain harmonic progression have almoust became
"cliches" since the advent of the bossa nova, such as
the shifting of major and minor modes in a tonic-
dominant relationship (e.g. Gm7 to Cmaj7) and
harmonic substructions for the classic II - V - Im using
minor 6 and diminished chords.
Example 1 is a diatonic harmonisation.
Examples 2 -- 5 is a "bossa nova" style
reharmonizations.
In the rhythmic section we will usually find small groups
with soft percussion instruments (claves, match box,
tambourine, ganza).
Bossa Nova clave:
The "clave" is a rhythmic "cell" that's the root of most
rhytmic patterns. This "cell" is usually played all the
way through a song by a percussion instrument knows
as "claves" (two round polished sticks which are
struck together), or any other instrument. On the drum
set, it can be imitated by the rim shot.
The "clave" can be played as shown on Example 6 or
inverted (Example 7), but once the pattern begins, it
doesn't revert.
节拍:
Moderate ♩ = 75
和弦:Dm7 G7 C7M Dm9 C#9 C6add9 G6M# C9M/G C#9+ Am6 G#0(13-) C6add9/G
音轨:
-
念痤骊 1 - 尼龙弦吉他 Acoustic Guitar (nylon)
-
念痤骊 2 - 大号 Tuba
-
Claves - 敲击乐器
注释:
Example 1
(Diatonic harmonisation)
Example 2
"bossa nova" style reharmonizations
Example 3
Example 4
Example 5
Example 6
Example 7
Figure 6
Figure 7
