附注:
The feeling of the intro is rather tricky as it can be
notated two ways: straight 4/4 and shuffled 4/4
(12/16 is just another way of writing shuffled 4/4).
The bass and drums play shuffled, and the guitar plays
straight, which makes it confusing to notate.
In the Intro-Reprise however the guitar plays shuffled
along with the bass, so the riff there is different. There
the drums actually starts to play poly-rythmic 5/8 on top
of everything, so these parts are very complex.
___________________________________________
Check my out my guitar text-tab for the song as well:
http://www.ultimate-guitar.com/tabs/t/tool/lateralus_v
er6_tab.htm
...and check out my bass text-tab for it as well:
http://www.ultimate-guitar.com/tabs/t/tool/lateralus_v
er3_btab.htm
注释:
Don't worry about the seemingly complicated
Crescendo over the next 34 bars :)
Crescendo over the next 34 bars :)
notation, just pretend to play straight 4/4.
From here it's just this 4-bar riff 6½ times.
strum, feed and fade in
This guitar track is dubbed in both sides
to create this massive guitar sound.
Black,
then,
white are,
all I see,
in my in - fan - cy,
Red and yel - low then came to be,
Rea - ching out to me,
Let's me see
As be - low so a - bove and be - yond I
i - ma - gine,
Drawn be - yond the lines
of rea - son,
Push the en - ve - lope,
Watch it
bend
O - ver think - ing,___
O - ver___
- an - a____ - ly - zing
se - pe - rates the
bo - dy from the mind_
With - er___ - ing
my__
in - tu
- i - tion
Mis - sing____
op - por
tu - ni - ties And
I______ must
feed my____
will to_____
feel this
mo___ - ment
Dra - wing
way out
- side the lines____
These verses and this pre-chorus are
similar to previous (bar 87-118 = 44-75).
Red and yel - low then came to be,
Rea - ching out to me,
Let's me see
There is,
so,
much,
more and,
beck - ons me,
To look through to
these
in - fi - nite pos - si - bi - li
- ties
Drawn out - side the lines
Push the en - ve - lope,
Watch it bend
Note that the first 3/8-bar is cut out this time.
Note that the first 3/8-bar is cut out this time.
Note that the first 3/8-bar is cut out this time.
my__
in - tu____
- i - tion___
Lea - ving
tu - ni - ties be - hind________
Let the wah pedal stay in open position throughout
the entire solo to gain treble.
Feed__
my
will
to
feel___
this
*up
*down
mo___ - ment
Ur - ging
*up
me to cross the line
Rea - ching
out to em
- brace the ran - dom
- brace what
- ev - er may
come
The drums play in a poly-rhytmic feeling of 5/8,
The drums play in a poly-rhytmic feeling of 5/8,
Here is played in a poly-rhytmic feeling of 5/8,
which means it takes 5 bars for the drums
which means it takes 5 bars for the drums
to catch up with the rest of the band.
which means it takes 5 bars for the
to catch up with the rest of the band.
drums to catch up with the rest of the band.
A good reminder for the following four rounds is
So here the rhythm loops!
that the riff is simply extended each round.
Such additional closed hi-hat strums are on a
seperate track in the right speaker.
...and here it loops again!
I em___ - brace_____
my___________________
de - si - re____ to____
...and again...
I em__ - brace______
my_________
de - si - re_________ To_____
feel____ the____ rhy_______ - thm________
Now it's just the full-extended riff four times.
Continue with the same poly-rhythmic feeling
for this new rhythm.
To____
feel_____ con - nec
___ - ted___
E - nough to step______
a_____ - side___ and___
...it loops here...
weep like
a_____ wi_______ - dow________ To______
feel_____ in____ - spi______ - red_________
fa - thom the____ pow_______ - er_________
...and here...
wit - ness the beau
___ - ty________
bathe in the_____ foun______ - tain________
swing on the____ spi_______ - ral______
And finally these extra four bars.
To
swing__ on the____ spi_______ - ral__________
To___
...and finishes here, phew! ;)
swing on the____ spi
__ - ral____ of____
our______
di___ - vi_______ - ni____ - ty____
And___
still be a____ hu________ - man_________
pickscrape
Play around with the wah-pedal.
pickscrape
Whammy all the marked notes
one octave up and down.
With
feet
u
- pon
the
ground I
move my - self
be
- tween the sounds And
o - pen
wide to
suck
it
in
I
feel
move
a
- cross my
skin
I'm
rea - ching
up
and
rea - ching out
I'm
for
the
ran - dom
or
what
- e - ver
will
- wil - der
me
What
me And
fol - low - ing
our
will
and
wind
We
Open and close the wah-pedal on
each marked strum.
may
just
go
where
no
one's
been
We'll
ride
spi - ral
to
end
And
Spi - ral out
Keep
go - ing