附注:
!! this is the segovia version of the variations of
'diferencias sobre guardame las vacas' as published by
graham wade and gerard garno in "segovia -his llife his
music" and it consists of the main theme ofthe
romanesca "guardame las vacas" which was a very
popular spanish tune of the 16th century and the 7
seven variations written by de narvaez for the vihuela
in his groundbreaking book "los seys..",which were
later transcribed, normally, for guitar by a number of
guitarists , the most important of all being, of course,
segovia.i have transposed the edition abovementioned
into tab with all the notations which appear and all the
tempo changes, but i have not arranged the variations
in any way-that's up to u to arrange as a
player..as long as u know how and why u arrange
them in a manner or another..i strongly suggest u read
a little about how different arragements of the score
were made in time, especially segovia's and get hold of
some recordings of the piece before u start playing it,
otherwise u'll learn it superficially.there are layternate
ways u can play certain measures from different point
of views but again that's left up to u as a player.note
that segovia for example skipped a couple of
variations sometimes when playing the song [(the first
four -played only with the theme originally - were
composed separately from the last three which were
published later under the name 'tres diferencias por
otra parte'-more info at the bottom of the page :) )] or
used slurs instead of staccatos and sometimes
modified the tempo for different reasons affecting the
economy of the song, whereas others empyrically
changed the order of the variations when playing, so
be attentif if u want to do a fine job playing this song,
which is ,or appears to , relatively simple also because
the tempo is relatively free...thats aboutit :) enjoy the
spirit of music but do it as it should be done
!!! oh and remember that the first four are the original
diferencias the last three are "diferencias por otra
parte" (published later by narvaez) meaning they can
be played next to the first four and the theme but are
written differently (modality etc) and that is why i have
not arranged them in the order in which they are
usually played by an interpreter today-u are free to play
them according to one of the many points view which
are out there about this piece of music
!!!!!NOTE: i have full copyright for this tab so remember
to only use this for personal study or for teaching
posting it on the net or other media sources even with
small modifications or using it in different contexts than
the ones i allow here or by written (email too) consent
is illegal and will not be tolerated !!!!!
注释:
THEME
andante di gaia , naturale
READ INFO - F5 !!!!!
rit.
andante di gaia , ponticello
presto , meno mosso -dolce
rit.
presto , piu mosso -ponticello
rit.
con mestizia , dolce
rit.
simile , naturale
rit.
legatissimo , dolce
I----------
lamentoso , meno mosso
I-----------
rit.
animato , risvegliato
pont.(2nd time)
piu animato
rit.(2nd time)
presto , 2nd time pizzicato-----------------------
--------------------------------------------------
--------
pizz.--------------------------------
CODA
ponticello , meno mosso
cresc.
naturale allargando
V
END
