Nortt的吉他谱
暂无该艺人的吉他谱,欢迎发布
Nortt是个孤寂的歌者和多种乐器演奏者，最具特色之处是被他自称为“;纯粹压抑的黑色丧葬毁灭金属”;的音乐。那其实就是一个充满绝望的黑色空洞。它们从死者和垂死者的角度讲述着死亡与黑暗，并且赞美着地域中的黑色土壤。Nortt的基本音乐要素包括阴郁的合成器背景还有钢琴、偶尔有的人声吼叫、沉重的鼓声、垂头丧气的吉他声，以及一些弦乐哀歌。
by Eduardo Rivadavia
Denmark's ubiquitous Nortt is a reclusive vocalist and multi-instrumentalist specializing in what critics have labeled "depressive black funeral doom," and whose closest parallels include Australia's equally bleak and misanthropic Disembowelment. Beginning his experiments in 1995, Nortt has recorded a number of demos (1997's "Nattetale," 1998's "Doeden," 1999's "Graven") and official releases, most of them short-form singles and EPs, like 2002's Hedengang and 2003's Gudsforladt. That same year saw a compilation of his scattered works unleashed as Mournful Monuments 1998-2002, but that's about as big a picture as we're likely to see of this intentionally obscure artist.
by Eduardo Rivadavia
Denmark's ubiquitous Nortt is a reclusive vocalist and multi-instrumentalist specializing in what critics have labeled "depressive black funeral doom," and whose closest parallels include Australia's equally bleak and misanthropic Disembowelment. Beginning his experiments in 1995, Nortt has recorded a number of demos (1997's "Nattetale," 1998's "Doeden," 1999's "Graven") and official releases, most of them short-form singles and EPs, like 2002's Hedengang and 2003's Gudsforladt. That same year saw a compilation of his scattered works unleashed as Mournful Monuments 1998-2002, but that's about as big a picture as we're likely to see of this intentionally obscure artist.