小简介
Pete Townshend一直是the Who的吉他手和创作中坚,Tommy,Quardrophenia两张概念专集都是他的杰作.当他推出个人专集时却隐藏了the Who的粗糙的音乐质感,一改以前狂躁的吉他,用细腻的感情和丰富的想象来打动听众。
by William Ruhlmann
Pete Townshend was the guitarist and primary songwriter for the Who from 1964 to 1982, also participating in the groups occasional reunions after its formal breakup. Best-known for his conceptual works, he wrote Tommy and Quadrophenia for the band, as well as the bulk of its other material. He made his first, tentative solo album, Who Came First, in 1972. Dedicated to his guru, Meher Baba, it continued themes pursued in Whos Next and like that album, contained material originally intended for an abortive conceptual work, Lifehouse, and it sold modestly. In 1976, he made a duo album, Rough Mix, with Ronnie Lane, formerly the bassist in the Small Faces. Townshends first full-fledged solo effort was Empty Glass (1980), which sold a million copies, reached the Top Five, and featured the Top Ten hit Let My Love Open the Door, as well as the minor hits A Little Is Enough and Rough Boys. He followed it in 1982 with All the Best Cowboys Have Chinese Eyes, which was less successful. Nevertheless, he felt he could no longer write for the Who, and at the end of the year, the group disbanded following a North American tour.
Townshend released Scoop, a two-disc compilation of demos, in 1983 (a second volume appeared in 1987). In 1985, he returned to thematic efforts with the album White City - A Novel, which included the Top 30 single Face the Face. The same year, he published a book of short stories, Horses Neck. As part of the White City project, he appeared in an accompanying film, for which he organized a band called Pete Townshends Deep End. The unit played only a few gigs, but one was videotaped and recorded, resulting in the 1986 album Pete Townshends Deep End Live! In 1989, he released an album based on poet Ted Hughes childrens story, The Iron Man. The record featured guest vocals by John Lee Hooker and Nina Simone, as well as two tracks featuring the three surviving members of the Who. Simultaneous with the albums release, Townshend embarked on a reunion tour with the Who, an event that overshadowed The Iron Man, which enjoyed only modest sales.
In 1993, Townshend delivered Psychoderelict, another conceptual work, to mixed reviews and poor sales. By that time, however, he had successfully reinvented himself as a Broadway tunesmith — the theatrical production entitled The Whos Tommy had become a runaway hit, earning him a Tony Award and prompting him to pursue more stage musicals. None of these came to fruition during the rest of the 1990s, though, and by the end of the decade, he was releasing live and archival recordings (notably the long-delayed Lifehouse) through his website, www.eelpie.com, and planning another reunion with the Who.
Pete Townshend一直是the Who的吉他手和创作中坚,Tommy,Quardrophenia两张概念专集都是他的杰作.当他推出个人专集时却隐藏了the Who的粗糙的音乐质感,一改以前狂躁的吉他,用细腻的感情和丰富的想象来打动听众。
by William Ruhlmann
Pete Townshend was the guitarist and primary songwriter for the Who from 1964 to 1982, also participating in the groups occasional reunions after its formal breakup. Best-known for his conceptual works, he wrote Tommy and Quadrophenia for the band, as well as the bulk of its other material. He made his first, tentative solo album, Who Came First, in 1972. Dedicated to his guru, Meher Baba, it continued themes pursued in Whos Next and like that album, contained material originally intended for an abortive conceptual work, Lifehouse, and it sold modestly. In 1976, he made a duo album, Rough Mix, with Ronnie Lane, formerly the bassist in the Small Faces. Townshends first full-fledged solo effort was Empty Glass (1980), which sold a million copies, reached the Top Five, and featured the Top Ten hit Let My Love Open the Door, as well as the minor hits A Little Is Enough and Rough Boys. He followed it in 1982 with All the Best Cowboys Have Chinese Eyes, which was less successful. Nevertheless, he felt he could no longer write for the Who, and at the end of the year, the group disbanded following a North American tour.
Townshend released Scoop, a two-disc compilation of demos, in 1983 (a second volume appeared in 1987). In 1985, he returned to thematic efforts with the album White City - A Novel, which included the Top 30 single Face the Face. The same year, he published a book of short stories, Horses Neck. As part of the White City project, he appeared in an accompanying film, for which he organized a band called Pete Townshends Deep End. The unit played only a few gigs, but one was videotaped and recorded, resulting in the 1986 album Pete Townshends Deep End Live! In 1989, he released an album based on poet Ted Hughes childrens story, The Iron Man. The record featured guest vocals by John Lee Hooker and Nina Simone, as well as two tracks featuring the three surviving members of the Who. Simultaneous with the albums release, Townshend embarked on a reunion tour with the Who, an event that overshadowed The Iron Man, which enjoyed only modest sales.
In 1993, Townshend delivered Psychoderelict, another conceptual work, to mixed reviews and poor sales. By that time, however, he had successfully reinvented himself as a Broadway tunesmith — the theatrical production entitled The Whos Tommy had become a runaway hit, earning him a Tony Award and prompting him to pursue more stage musicals. None of these came to fruition during the rest of the 1990s, though, and by the end of the decade, he was releasing live and archival recordings (notably the long-delayed Lifehouse) through his website, www.eelpie.com, and planning another reunion with the Who.
