小简介
来自美国Brooklyn ,Grizzly Bear令人叹服.尽管音乐底子不过是糅合了浓郁的情怀和时尚特色,而Grizzly Bear乐团的个人色彩表现得天衣无缝,乐团在录音方式的确有一套,大部份歌曲都一次性完成.看来乐团的配合和录音方式已经完整.
对于沉著的人, 即使害羞,当Grizzly Bear演出时, 都能完全的放开并吸收他的音乐。
Grizzly Bear began as a home recording project for Boston-bred experimentalist Edward Droste, the son of an elementary school teacher, who laid the groundwork for the band's otherworldly debut album on a small hand-held tape recorder while holed up for 15 months in his Greenpoint, Brooklyn, apartment. His homespun D.I.Y. effort took on new life with the help of multi-instrumentalist Christopher Bear, a Chicago native who had worked in a diverse range of musical projects ranging from laptop electronica to free jazz, who added additional instrumentation and vocals to Droste's stripped-down sonic blueprints.
The resulting album, Horn of Plenty -- a pet project originally meant only for Droste's friends -- eventually circulated through New York's underground music scene, with its unique blend of acoustic instruments, layered vocals, and found sounds earning comparisons to alt-rock heavy-hitters such as Sigur Rós, Sufjan Stevens, and Animal Collective. Originally released to little fanfare in 2004, the album gained momentum thanks to copious touring, with Chris Taylor joining the band on reeds and electronics, and Daniel Rossen providing additional guitar and vocals. It was reissued in 2005 as a two-CD set featuring remixes by Dntel (of the Postal Service), Final Fantasy, Solex, and the Soft Pink Truth (aka Drew Daniel of Matmos). An album of Droste's early demo recordings, Sorry for the Delay, was released in 2006 as the band finished up recording Yellow House, their second proper full-length album. Warp signed the band that spring and released Yellow House that fall. A year later, the Friend EP, which featured cameos from Beirut, CSS, and Band of Horses arrived.
来自美国Brooklyn ,Grizzly Bear令人叹服.尽管音乐底子不过是糅合了浓郁的情怀和时尚特色,而Grizzly Bear乐团的个人色彩表现得天衣无缝,乐团在录音方式的确有一套,大部份歌曲都一次性完成.看来乐团的配合和录音方式已经完整.
对于沉著的人, 即使害羞,当Grizzly Bear演出时, 都能完全的放开并吸收他的音乐。
Grizzly Bear began as a home recording project for Boston-bred experimentalist Edward Droste, the son of an elementary school teacher, who laid the groundwork for the band's otherworldly debut album on a small hand-held tape recorder while holed up for 15 months in his Greenpoint, Brooklyn, apartment. His homespun D.I.Y. effort took on new life with the help of multi-instrumentalist Christopher Bear, a Chicago native who had worked in a diverse range of musical projects ranging from laptop electronica to free jazz, who added additional instrumentation and vocals to Droste's stripped-down sonic blueprints.
The resulting album, Horn of Plenty -- a pet project originally meant only for Droste's friends -- eventually circulated through New York's underground music scene, with its unique blend of acoustic instruments, layered vocals, and found sounds earning comparisons to alt-rock heavy-hitters such as Sigur Rós, Sufjan Stevens, and Animal Collective. Originally released to little fanfare in 2004, the album gained momentum thanks to copious touring, with Chris Taylor joining the band on reeds and electronics, and Daniel Rossen providing additional guitar and vocals. It was reissued in 2005 as a two-CD set featuring remixes by Dntel (of the Postal Service), Final Fantasy, Solex, and the Soft Pink Truth (aka Drew Daniel of Matmos). An album of Droste's early demo recordings, Sorry for the Delay, was released in 2006 as the band finished up recording Yellow House, their second proper full-length album. Warp signed the band that spring and released Yellow House that fall. A year later, the Friend EP, which featured cameos from Beirut, CSS, and Band of Horses arrived.
