【樂理課堂】曲式：RMlg.mf5 - Rondo Form

RMlg.mf5 - Learning Music With Ray- Rondo FormThis Learning Music With Ray video discusses rondo form. In it, I discuss the meaning and aspects of rondo form as they relate to musical form. I then analyze a piece of music that is written in form. In this stage of the lesson I review the components of this type of form, and the ways to identify them in the musical example. The Free Dictionary by Farlex defines rondo as a musical composition built on the alternation of a principal recurring theme and contrasting episodes. The main recurring theme is usually labeled as the “A” section and the contrasting episodes are labeled with additional consecutive letters (B, C, D, etc.). Therefore, ternary form is the simplest example of a rondo (A-B-A). More complex examples contain additional contrasting episodes (A-B-A-C-D and so on). There are several factors that can make it difficult to identify a rondo form in “real world” musical examples. First, the contrasting episodes do not always have to be the same length as the main recurring theme. They don’t even have to be the same length as each other. The “B” section (for example) could be half the length of the “C” section. In addition, the main recurring theme can sometimes be embellished or shortened when it is restated. The key to identifying the sections of a rondo form is in first identifying each area where the recurring theme is stated. Since this sections repeats throughout the form, it is the easiest to recognize. Once each statement of the main theme is located the boundaries of the form can be established. The material between each statement of the recurring theme is obviously the contrasting episodes. We will be studying Mozart’s piano sonata No. 3 (K 545 3rd movement) as our musical example of a rondo form. As we study this example in the attached video lesson, listen for each restatement of the main theme.